MCA CELEBRATES 25 YEARS OF PRIMAVERA
|Name||MCA CELEBRATES 25 YEARS OF PRIMAVERA|
|Start of first instance||22nd Dec 2017 10:00am|
|End of first instance||13th May 2018 5:00pm|
|Duration of each instance||142 days and 7 hours|
|Frequency||Every day, until 13th May 2018|
February 16 - May 13
The Museum of Contemporary Art Australia celebrates twenty-five years of Primavera – the annual exhibition dedicated to showcasing the work of young Australian artists – with Primavera at 25: MCA Collection, touring 2017 to 2018.
Curated by Megan Robson, MCA Assistant Curator, the exhibition includes work by 19 artists and collectives who have previously exhibited in the exhibition. Drawn from the MCA Collection, Primavera at 25 brings together established and emerging artists working across a range of disciplines from painting, sculpture, video, performance, kinetic and installation art. For many artists, Primavera marks the start of a long relationship with the MCA. Since 1992, 206 artists have exhibited in Primavera with the MCA acquiring over 230 works by artists in the exhibition for the MCA Collection. These include artworks that were first exhibited in a Primavera exhibition and works made many years afterwards. MCA Director, Elizabeth Ann Macgregor OBE said: ‘Established in 1992, Primavera is one of the longest running exhibitions in the country and has proved a significant platform for artists at an early stage in their career.'
‘Primavera at 25 is a time to reflect and applaud the achievements of former Primavera artists who have gone on to exhibit both nationally and internationally, and to play a significant role in the development of contemporary art practice in Australia.’ Macgregor continued. Curator Megan Robson said: ‘An anniversary presents a moment for reflection, an opportunity in which to consider the past and contemplate the future. Taking this significant milestone as a departure point, Primavera at 25 brings together works by artists, who have previously exhibited in Primavera, that explore concepts of transformation, time and history.’
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This project has been assisted by the Australian